a founder of the codex

Prophecy

Mantipolypus praesens·the Foreseeing Polyp

From Greek mantis, a seer, and polypous, many-footed, and Latin praesens, present, for a seer that reads what is coming in what is here.

Level
Conceptorganism
Book
Humoresthe apothecary's book of humours
Phylum
Pathimage schema
Class
Intakeits wick
Niche
Extremophileabsence
Mode
Religionhow it keeps existing
Stage
Matureindividuated
Status
Living
Habitat
Ritual

Its kinds · Roget, 1852: Formation of Ideas · Wilkins, 1668: Discourse · WordNet, 1990: Communication · Llull, 1308: E · Man

Foreseeing Polyp, the whole specimen
Plate XXVII. Mantipolypus praesens, the whole specimen.

A prophecy claims to know the future, yet every prophecy is made from signs read closely in the present, and once spoken it can change the future it names.

The future is read in the present, by whoever attends closely to what is here.

behavior Sits still with its tentacles spread, tasting every current, and now and then lifts one bright stalk toward what is coming.

provocation

What in this present moment already shows what tomorrow will bring?

Each draw is the being derived afresh by the current laws at another seed (laws §11); the chosen one leads (where they sit in the morphospace).

I Dissection

Each organ answers one question about the idea. The framed one, its intake, is the dominant organ: the being's class, the one the idea could not lose and stay itself.

Kernel of Prophecy

Fig. 1. Kernel

Second sight

Which premise, if it were false, would kill this idea?

Some part of the future can be known before it arrives, and spoken aloud by one who sees it.2

drawn as: essence · view: cast

Boundary of Prophecy

Fig. 2. Boundary

Sealed scroll

What sets it apart from what it is not, and how does it keep that distinction?

It is defined against hindsight, which explains what happened after the fact. Once an outcome is known people judge they saw it coming, so a true prophecy stands on record before the event.5

drawn as: meniscus · view: pinned

Intake of Prophecy

Fig. 3. Intake

Augury

❦ dominant organ

What must it feed on to work? What has to be present, noticed or supplied?

It feeds on signs met in the present, the flight of birds, the entrails of a sacrifice, dreams and comets, so each prophecy begins as close attention to what is here now.2

drawn as: wick · view: transparent

Mechanism of Prophecy

Fig. 4. Mechanism

Extrapolation

How does it turn what it takes in into what it gives out?

It reads a pattern in the signs and carries it forward, by analogy, by rule or by inspired seeing, and an oracle's answer is often worded to fit more than one outcome.2, 1

drawn as: still · view: at work

Output of Prophecy

Fig. 5. Output

Oracle

What does it make possible, visible or knowable?

It gives a statement of what will happen, which lets its hearers prepare, flee or wait, and it can bring itself about once they act on it, as a rumour of failure empties a sound bank.3

drawn as: tincture · view: microscope

Dispersal of Prophecy

Fig. 6. Dispersal

Grapevine

What part of it travels into other minds, ideas and fields, and by what vector?

It travels by word of mouth from the shrine to the city, and each retelling sharpens or bends it until it reaches people far from the first voice.1

drawn as: scent · view: magnified

Decay of Prophecy

Fig. 7. Decay

Great Disappointment

What can it not digest, where does it fail, and what does it leave behind for others?

It fails when the foretold day comes and passes unchanged. Its believers then often reread it and preach it harder, and it leaves behind a habit of waiting for the next date.4

drawn as: sediment · view: detached

II Meaning associations

No relations recorded yet.

descent membership food web resemblance or friction

Lineage

A founder, dissected by hand.

Kin

same kind in Roget Apophenia, Dream, Faith, Memory, Placebo, Presence, Knowing Trust, Afterlistening, Commemorative Revision, Simultaneous Remembering, Hesychology, Subtractive Phenomenology

same kind in Wilkins Echolalia, Syllable, Symbol, Babelhum, Tongue Horizon, Poetry

same kind in WordNet Chiaroscuro, Echolalia, Music, Syllable, Symbol, Babelhum, Poetry

same kind in Llull Echolalia, Memory, Nostalgia, Placebo, Presence, Solitude, Volition, Knowing Trust, Self-Fulfilling Alarm, Tongue Horizon, Witnessed Relief, Witnessed Relief (Mycelia), Commemorative Revision, The Shared Cell, Simultaneous Remembering, Hesychology

same phylum Entelechy, Memory, Music, Nostalgia, Ritual, Wind, Tongue Horizon, Afterlistening

same dominant organ Faith, Fear, Patience, Resonance (Automata), Silence

Genome

III In the world

Echoes

  • the oracle at Delphi
  • a weather forecast
  • a bank run set off by a rumour
  • a doomsday date that comes and goes

IV Record

How it was drawn

its draw 1, a point in the morphospace (laws §8), drawn by flux-2-klein-4b.safetensors.

axisvalue
bookhumores
symmetryfractal
organizationchained
silhouettefiliform
scalehand
proportioneven latent
growthbudding
articulationseamless latent
opennesshollow latent
skeletonspicules latent
locomotionundulating latent
patterngradient
colorationcountershaded latent
substancemesoglea
surfaceveined
paletteoilslick
luminositynone
transparencytransparent latent
gesturequivers
unitycomposite latent
modalitypossible
causationmaterial latent
determinacydissolving
fusionreplaced
anomalylarger inside
graftnone
techniquehatching
viewpointmotion
valuechiaroscuro latent
balancetop heavy latent
densityintricate latent
rhythmclustered latent
saturationaccent latent
appendagesvalves, cilia
anchor (body)a jellyfish bell with frilled oral arms trailing beneath
anchor (detail)a mosaic of photoreceptor cells packed in a hexagonal pattern

Sources

  1. Herodotus, Histories (5th century BCE), book 1, on the oracles given to Croesus
  2. Cicero, De Divinatione (44 BCE)
  3. Robert K. Merton, The Self-Fulfilling Prophecy (The Antioch Review, 1948)
  4. Leon Festinger, Henry W. Riecken and Stanley Schachter, When Prophecy Fails (1956)
  5. Baruch Fischhoff, Hindsight ≠ Foresight (Journal of Experimental Psychology, Human Perception and Performance, 1975)

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