a founder of the codex

Music

Melopoeus exspectans·the Waiting Songmaker

From Greek melopoios, a maker of song, and Latin exspectans, waiting; the songmaker that lives on what is awaited.

Level
Conceptorganism
Book
Automatathe atlas of invented invertebrates
Phylum
Pathimage schema
Class
Mechanismits ganglion
Niche
Consumerother ideas
Mode
Techniquehow it keeps existing
Stage
Matureindividuated
Status
Living
Habitat
City

Its kinds · Roget, 1852: Organic Matter · Wilkins, 1668: Habit · WordNet, 1990: Communication · Llull, 1308: K · Instrumentative

Waiting Songmaker, the whole specimen
Plate XXII. Melopoeus exspectans, the whole specimen.

Sound ordered in time makes a listener expect what comes next, and music means by how it meets, delays or denies that expectation.

Meaning in music is the shape of expectation.

behavior Moves only in time with something, and its colours swell and settle as its pulse rises and resolves.

provocation

What are you waiting for in the next bar of your day?

Each draw is the being derived afresh by the current laws at another seed (laws §11); the chosen one leads (where they sit in the morphospace).

I Dissection

Each organ answers one question about the idea. The framed one, its mechanism, is the dominant organ: the being's class, the one the idea could not lose and stay itself.

Kernel of Music

Fig. 1. Kernel

Upbeat

Which premise, if it were false, would kill this idea?

Sounds can be ordered in time so that a listener expects what comes next, and meaning lives in how that expectation is met, delayed or denied.2, 4

drawn as: core capsule · view: series

Boundary of Music

Fig. 2. Boundary

Monochord

What sets it apart from what it is not, and how does it keep that distinction?

It is set apart from noise by order, pitches in ratios and beats in time; the ancients heard the same ratios in the planets and in the body.1

drawn as: membrane · view: cast

Intake of Music

Fig. 3. Intake

Cochlea

What must it feed on to work? What has to be present, noticed or supplied?

It feeds on vibration, and on a listener's memory of every music heard before, which tells them what to expect.4

drawn as: receptor · view: in situ

Mechanism of Music

Fig. 4. Mechanism

Cadence

❦ dominant organ

How does it turn what it takes in into what it gives out?

Tension is built by departing from what is expected and released by returning, and bodies fall into step with its pulse.2

drawn as: ganglion · view: detached

Output of Music

Fig. 5. Output

Frisson

What does it make possible, visible or knowable?

It makes time audible and felt, grief, joy and longing given a shape that a whole room can share.3

drawn as: effector · view: at work

Dispersal of Music

Fig. 6. Dispersal

Earworm

What part of it travels into other minds, ideas and fields, and by what vector?

It travels by ear, voice to voice, in notation and in recordings, and a tune can lodge in a mind for days.4

drawn as: signal · view: microscope

Decay of Music

Fig. 7. Decay

Broken record

What can it not digest, where does it fail, and what does it leave behind for others?

It cannot state anything about the world, and grown too familiar it wears into background, leaving fragments of melody behind.2

drawn as: corrosion · view: at work

II Meaning associations

gave rise to · holdstakes fromgives tooffspring, by symbiosisoffspring, by symbiosisoffspring, by pollinationpollinated · dispersal → kernelfeeds · output → intakeAfterlisteningLingering EarThe Shaping PauseJointing PauseShared BreathChoir LungBreathTurn-Taking BellowsSilenceFull Quiet

descent membership food web resemblance or friction

Lineage

A founder, dissected by hand.

Offspring

Food web

  • pollinated its dispersal → the kernel of Breath
    Music travels by ear, voice to voice; Breath's premise is a rhythm kept without thinking, and a sung phrase sets exactly when the singer must breathe. The vector can carry the premise.
  • feeds the output of Breath → its intake
    Breath gives voice and song; Music feeds on vibration, and the voice is its first instrument.
  • homology its mechanism resembles the mechanism of Breath
    Both are rhythms that bodies fall into, the breathing cycle and the musical pulse.
  • friction its decay rubs against the decay of Breath
    Breath cannot be stored or held; Music, grown too familiar, wears into background. One fails by stopping, the other by repeating.
  • feeds the output of Silence → its intake
    Silence makes audible what was masked and gives what follows its weight; Music feeds on a listener's expectation, which a silence holds open.
  • feeds its output → the intake of Silence
    Music makes time audible; Silence feeds on the ending of every other sound, and music's endings are the most shaped of all.
  • homology its boundary resembles the boundary of Silence
    Both are kept by a frame, Silence by a rest or a rule, Music by order in ratios and beats. The rest in a score belongs to both.

Kin

same kind in Roget Amber, Breath, Chiaroscuro, Chimera, Entelechy, Silence, Vertigo, Shared Breath

same kind in Wilkins Geomancy, Innocence, Patience, Hesychology, Subtractive Phenomenology

same kind in WordNet Chiaroscuro, Echolalia, Prophecy, Syllable, Symbol, Babelhum, Poetry

same kind in Llull Chiaroscuro, Faith, Geomancy, Innocence, Patience, Ritual, Syllable, Symbol, The Shaping Pause, The Festival Calendar, Subtractive Phenomenology

same phylum Entelechy, Memory, Nostalgia, Prophecy, Ritual, Wind, Tongue Horizon, Afterlistening

same dominant organ Chimera, Dream, Fire, Metamorphosis, Presence, Resonance, Ritual, Storm, Symbol, Self-Fulfilling Alarm, Shared Breath, Self-Ending Order, Witnessed Relief (Mycelia), Commemorative Revision, Fear's Breath, The Shaping Pause, Simultaneous Remembering, Poetry, Subtractive Phenomenology

Genome

III In the world

Echoes

  • the music of the spheres
  • a lullaby
  • a drum circle
  • a tune you cannot stop hearing

IV Record

How it was drawn

its draw 1, a point in the morphospace (laws §8), drawn by flux-2-klein-4b.safetensors.

axisvalue
bookautomata
symmetryamorphous
organizationchained
silhouettecluster
scalemicroscopic
proportionelongated
growthintercalary
articulationimbricate latent
opennessspongy latent
skeletontest latent
locomotionundulating latent
patternstripes
colorationwarning latent
substanceslime
surfaceglossy
paletteobsidian
luminosityinner glow
transparencyopaque latent
gestureinterlaces
unityaggregate latent
modalitypossible latent
causationunmarked latent
determinacydissolving
fusionbuilt of
anomalywound bloom
grafthinges
techniquecrayon
viewpointmotion
valueunmarked latent
balancecantilevered latent
densitygraded detail latent
rhythmclustered latent
saturationaccent latent
appendagesbeaded filaments, comb rows
anchor (body)an ammonite, a coiled chambered shell with frilled suture lines
anchor (detail)a diffusion-limited aggregate, a feathery fractal cluster

Sources

  1. Boethius, De institutione musica (early 6th century)
  2. Leonard B. Meyer, Emotion and Meaning in Music (1956)
  3. Victor Zuckerkandl, Sound and Symbol (1956)
  4. David Huron, Sweet Anticipation (2006)

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